(Hunchback of The Trade. Rendering Via DBOX. New York, New York)
The Urban Critic: Earlier this week, the newly redesigned World Trade Center 2 Tower was unveiled. We refrained from posting our immediate reaction. Now its a few days later.
At first there was a gasp, then a sigh as disappointment settled in. Next, a rationalization of positive impressions which could be extracted from The Proposal. Maybe those ticker tapes along the cantilevered masses are interesting and modern? The bulky form is progressive, sort of, and the “gardens in the sky” concept is nice for Office Workers. The animation of the lobby and building experience was beyond first class and a work of art unto itself (Click HERE for Animation).
(Times Square Ticker Tapes along the underside of Unsettled Boxes)
Another question, a major question, began to emerge. Why was Norman Foster, the original Towers’ architect, sidestepped after committing to the project for so long? Clearly his firm is capable of adapting any design to the varied needs of clients, as requirements change with the whims of The World. It appears, after the events of the week, that the ushering in of “Newness” coincided with the crowning of Rupert Murdoch’s son, James, as the Titan of the Twentieth Century Fox Empire, aka: the Primary Tenant of Hunchback of The Trade.
As far as our feelings toward buildings go, the sigh and the frown did not abate. The Hunchback, it appears, does not have great angles.
From the Memorial Fountain Side, the structure creates the illusion of leaning: as if lopsided. Leaning, with a potential to fall over; not necessarily the message a building should convey on a site where towers already fell. Was this message already pondered by the Port Authority many years ago when they constructed One World Trade?
(A leaning view of Hunchback from The Memorial Side)
A small piece of construction history comes to mind. During the erection of One World Trade, many forget that the original tower had chamfered corners, leaning in; A tapered base, much as the tower tapers toward the sky. In fact, the steel super-structure of the tower was built to accommodate this detail. Then, during construction something changed, and the base of the building was made square. Perhaps this was a reaction to an “unsettled” feeling, an imbalance the tower conveyed? Was this a move toward an Architecture of greater stability? Nonetheless, in final form, the building turned out to be a permanent marker on our New York skyline.
(Original design of 1 WTC, with tapered base, and final form, as constructed. Image on left from SOM/DBOX. Image on right from The Durst Organization)
Fast forward to The Hunchback, newly revealed. It’s form explained as stacked villages in the sky. Its massing curiously changes from side to side. From the viewpoint taken from The Streets of Tribeca, the Hunchback analogy becomes clear. An off-putting mass; a bit awkward and not too elegant. Interesting, maybe for a moment.
Turning back to The Memorial Fountain Side, we return to the Toppling Effect. The leaning tower of 2 World Trade staring at the perfectly symmetrical One World Trade, as if deliberately acting out in defiance.
From the cut corners of the First Tower, now straightened out, to the unsettled mass of Two. Now moving to the innocuous towers of Three and Four, which are really background buildings: The area has become a mismatch, now unified by Santiago Calatrava’s Transit Hub; A bombastic over-budget structure, but one of the only interesting gem’s to emerge in this landscape, by virtue of perversion, alongside the beautiful and solemn Trade Center Fountains.
(The beautiful and solemn Trade Center Fountains. New York, NY. 2014)
In summation, if the message is going to be switched, the tradeoff at this Heritage Site should be a net positive for The City. This is Our Public Space as well, not deferential to James Murdoch’s Media Empire. For many years, an image was created in Our Mental Memory of a soaring Vertical Diamond, with a strong silhouette, punctuating the New York sky. Perhaps this was a visual cliché’, but this design resonated in the mind of The Public.
So, we ask for The Hunchback building to be a better Urban Monument; something more than a leaning tower of blocks with Times Square ticker tapes. A building which will not cut corners, but will resonate with permanence as a Solid Urban Monument, as we were all led to believe.
Links of Relateable Note can be found HERE: