Two Tenements, Down

Two Tenements Down_2

(Two Tenements, Down. New York, September 2015. Image by Greg Gordon)

Urban Memory:

Two Tenements, Down. A companion piece to our prior post, Two Tenements Standing, chronicles the demise of two stalwart buildings which stood guard over Grand Street for over a Century. Somehow, in the mess of the 50’s Urban Renewal destruction, they escaped the mass demolition of tenement complexes in the surrounding blocks and served as steady reminders of a New York, since passed.

Two Tenements Down will now be New York ghosts. For the inhabitants of this City, their absence will remain as a memory marker to a generation. And chronicled by the painter Hedy Pagremanski, Two Tenements Down are memory pieces edified through artistry, serving as a snapshot of urbanity in rapid change.

Hedy

(Hedy Pagremanski painting Two Tenements, Standing. Image by Josh Haner from The New York Times)

Two Tenements, Down. Fragments in a malleable Urban Mass of brick, mortar, steel and dreams. Buildings rise and buildings fall. Architecture is never permanent. These structures, once bulwarks on a bustling Grand Street, full of push carts and carriages, have given way to the pressures of modernity, understandably so.

Two Tenements Down are a chronicle of Urban Change, in a City bursting at its seams. They deserve a memory piece only Hedy can preserve in the vibrancy and color of a Lower East Side’s past and present.

1-Riis-Family-Living-in-One-Room-New-York-City-Slum-1890

(Tenement Life from Memory Past)

People on the street stop and pause, in partial wonderment and a semi-state of disbelief as the backhoe tears at the tenement walls. Two Tenements, Down. The moment has arrived and the moment soon will pass, when the excavator begins the process anew, digging for the future of the new Urban Settlers.

Links of Relatable Note can be found Here:

Two Tenements, Standing. From Gordon’s Urban Morphology

New York Tenement Museum. A place to learn about the Urban Architecture of New York Past.

 

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One comment

  1. Reblogged this on ramblinginthecity and commented:
    Photographs, paintings and pieces of writing are often the only evidence we have left, our tools to preserve memories of what a particular part of the city was in a rapidly changing cityscape. Who would be able to recall the dark and dinghy East Side of NYC if not for those who have worked hard to preserve those memories? And would we value where the city has come today if we did not that it rose on the back of somebody’s hard work so many years ago?

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